Artist Playbook · 02
The Lingo
Sheet
Talk like a pro from the first email to the final settlement. The language of holds, deals, advances, and the back of house — decoded.
Booking & Touring Glossary
Knowing the lingo is half of looking like you belong in the room. Here's the vocabulary every working act should own.
Booking a Date
Getting on the calendar
- HoldH · 1H
- Your place in line on a date for a potential booking, sometimes shown as just (H). You must challenge the date to gain control of it (1H = first hold). It's your way of seeing what's open on a venue's calendar. If you challenge a date, intend to keep it.
- Challenge
- An ask for the promoter to move you to the front of the holds list to confirm a date. The promoter reaches out to everyone holding above you to see if they'll release. A typical challenge takes 24–48 hours.
- Offer
- The initial commitment of compensation for the event. Remember — this is negotiable.
- Mutually AgreeableMA
- A presentation of terms without a specific date in mind.
The Deal
Offer types & how they pay
- Door / Percentage Deal% OF TICKET SALES
- You take a percentage of ticket sales from dollar one. GBOR = tickets sold × price. NBOR = the same, minus venue/facility fees.
- GuaranteeFLAT FEE
- A flat fee for a performance of a certain length.
- Guarantee + BonusFLAT FEE + BENCHMARK
- A flat fee for a set length, plus a bonus when you hit an agreed benchmark — e.g. a $500 bonus at sell-out.
- Net DealGUARANTEE + UPSIDE
- A guarantee plus a cut of profits once the venue is covered. Expenses should be agreed ahead of time. Example: $2,000 vs. 90% of GBOR after all fees, taxes, and expenses.
"Walk-out potential" is the most you'd leave with if the night goes perfectly. Run the math before you say yes.
The Advance
Prepping the show
- Advance
- Working through the details of the show before you arrive: hospitality budget and items, parking, hotel partners, load-in location and time, what equipment the venue has (mics, stands, cables), soundcheck and set times, set length, guest-list count, whether you can bring a videographer, and more. This is your prep so you know what to expect — and what's expected of you.
- Day Sheet
- The schedule of times for the whole day. Adhere to it as best you can.
- HospitalityHOSPO · RIDER
- Requests from the artist to make the day more enjoyable and the show possible — food, snacks, drinks, and performance items like batteries or guitar strings.
- Runner
- Someone at the venue with a car to shop hospitality/rider items and drive members to the hotel, radio, etc., so the tour vehicle can stay parked.
- House Flat
- The lump sum of expenses for the venue to operate nightly: rent, security, stage staff, box office, cleaning, and so on.
Advance everything in writing. Learn the names of the staff you'll work with and treat them with the respect you also deserve — no doubt you'll see them again.
Show Day & Settlement
The room & the money
- Facility Fee
- A venue fee deducted from each ticket gross. Varies by venue and typically increases with capacity.
- All-In
- Inclusive of all artists on the bill, not just the headliner.
- Support / Openers
- Non-headlining acts. Direct support is the band right before the headliner; otherwise they're referred to by position on the bill (e.g. 2nd of 5, or 1st of 3).
- Stage Plot
- A visual diagram of band members and their positions on stage.
- Consignment Tickets
- Tickets on loan for the artist to sell, a way to get tickets to fans hand-to-hand, sometimes without venue fees. Stay organized: bring all unsold tickets and the cash for sold ones back to the venue.
- Merch
- Anything for sale from the artist. Hard goods are recordings; soft goods are shirts, hoodies, posters, etc. Expect the venue to ask for 5–20% of soft-good sales (negotiable). If the venue sells for you, count every piece in and out and reconcile at the end of the night.
- Front of HouseFOH
- Where the sound engineer operates from.
- Photo Policy
- Many venues have their own, but you're in control of what you want. Standard is songs 1–3 from the photo pit (no flash), then potentially shooting from the audience.
- Guest List Etiquette
- Spots are limited and meant to show your most loyal supporters they're noticed. On a door deal, every free ticket takes money from you and the venue, so don't go overboard. Not everyone on the list needs backstage; the greenroom is your space to prepare, not a hangout.
- Settlement Etiquette
- Have backup and request proof: a detailed list of tickets sold, prices, and where, plus receipts for any deductions. A venue may ask for a W-9, so have one ready. If handed a check, don't lose it; if wired, confirm your details and follow up after the quoted timeframe.
- Electronic Press KitEPK
- A one-sheet pitch of your band: photo, pertinent touring history, where to find your music, a brief bio, and more.
When money is involved, always have backup — and it's okay to ask for proof from the other side.
Avoid This
Reputation killers — what flags you as an amateur
- Lacking a professional touch, like hitting "reply all" to every email.
- Not honoring commitments the moment a better offer comes along.
More Terms Coming
- Input List
- Admat
- Radius
- Radio Proposal
Know The Room
Speak the language.
Earn the next booking.
Level Play · Artist Resources · Playbook 02